ItвЂ™s really difficult for me to pick just one track to talk about, so I guess IвЂ™ll approach it in the big picture and discuss the theme. Not only will this song be extremely gratifying to the player as they perfect the game, but it also ended up being one of the last songs we wrote, and the last song we mixed, so us too were even treated to the вЂperfectвЂ™ ending of an incredibly amazing project. ThatвЂ™s when Ary mentioned to Pete to think of it more as an epic Queen ballad, and it all came together after that. Obviously itвЂ™s gotta be the best song ever if you have to be perfect to get there. At first it was just a straight ballad, but it needed something moreвЂ¦ more epic and triumphant. It was really interesting to hear вЂThis is the EndвЂ™ (yes, itвЂ™s for the perfect ending only!) go through many different phases as it was being written. Something about the final version of this track evokes real motion, as in makes you want to move, both from the heart and on the road. I really love positive, uplifting punk and post-hardcore music, and it was a lot of fun to try and translate it into our distinct style. When we were working on it, Pete had brought up giving it a sort of Hot Water Music-type sound, and it actually came very naturally after that. IвЂ™m especially proud of the track we wrote for the train level вЂ“ Suburban Tram. It never really felt like writing for a video game, it felt more like composing music for life stuff weвЂ™ve all experienced вЂ“ stuff that Scott Pilgrim happened to have experienced as wellвЂ¦

That natural transition is a great example of what made the project so fun. So yeah, itвЂ™s my favorite because it really started as a song for myself that ended up being for Scott Pilgrim. I donвЂ™t remember at what point I realized it would work perfectly for the gameвЂ¦ it sort of just transformed into that cue naturally. We didnвЂ™t get past the loop that night, but the next day I couldnвЂ™t get it out of my head, and kept working on it. He started with an awesome bass line and beat, and I started writing some melody stuff. We were kinda bored and decided to start a collaboration italo-disco song on Game Boy. I was hanging out backstage with one of my good friends Damon who also happens to be one of the most talented chip artists I know (he goes by Starscream with his drummer George). A couple months ago we were playing a show here in Brooklyn with Ok, Go. I really enjoyed how the Twin Dragons cue came into existence. Here, the guys share their favorite songs from the game. They wowed us (and 5,000 others) at PAX and really captured the sound we wanted for the game. We immediately thought of Brooklyn chiptune rockers, Anamanaguchi. The next step was creating an amazing soundtrack. The World: The Video Game, we wanted to go all in! We brought in pixel artist extraordinaire Paul Robertson. Once we decided to go for the old school, side scrolling, beat вЂem up style with Scott Pilgrim vs.

Scott pilgrim vs the world game psn